Attention all Fall Out Boy fans: Fuse has an early X-mas present just for you! The boys are launching their new album, Folie a Deux, with a face melting live concert, and we're giving you a front row seat to the fun! Tune in Tues, Dec 16, at 9PM ET|PT , for a full hour of Fall Out Boy live concert goodness featuring a sneak peek at their new album, including the hit single "I Don't Care".
Duration : 2 min 56 sec
Buy a new 2012 FIAT 500 Abarth @ http://FIATofMapleShade.com and be the first Bad Boy on your street!
Not all bad boys are created equal — Meet the FIAT 500 Abarth!!
See what the FIAT 500 Abarth is made of in this commercial featuring Charlie Sheen.
Duration : 0:1:1
The pop star had something big to reveal while he was here — his new world tour! He also showed Ellen how he tricked-out the car he got for his 18th birthday right here on the show. Check it out!
Duration : 0:6:29
Tay Fan Collectibles – Haunted – Speak Now World Tour Live
Recorded Live From The Concert Big Screen In Spectacular
HD 1280X720p 16:9 2100kbs 90fps Audio 984kbs 5.1 AC3
Get The DVD/CD Here: http://store.taylorswift.com/Speak-Now-World-Tour-CD-DVD/dp/B005OLF6BI
Duration : 0:6:25
The World Village Festival in Helsinki 26.5.-12:”The Irrationals have widely received praise and acclaim for their fresh style. Their groovy music is spiced with influences from rock, hip hop and 50s instrumental rock. The group is made up of some of the foremost jazz, blues and rock musicians in Finland.”
Duration : 0:4:3
AZTECS – LIVE 1971
Billy Thorpe was Australia ’s musical chameleon. There was pop star pin up Billy, heavy rocking, long haired Billy, space travelling Billy, popular author Billy and revivalist rock Billy just to name a few. Such was the man’s contribution to the Australian music scene. No wonder his sudden death left so many music fans shattered. Everyone felt they knew him, and his music provided the soundtrack to so many Australian lives. No words can really sum up what he meant to Australian rock’n'roll, other than to say that the outpouring of grief and shock at his death was genuine and heartfelt. Australians simply loved Billy Thorpe.
Aztec Music have become the saviours of Australian rock music, consistently preserving a period when Oz rock had emerged as a genuinely original and powerful voice of a nation that was emerging confidently, shaking of the torpor of 23 years of Liberal Party dominance.
The excellent sleeve notes here utilise interviews with Billy Thorpe and Lobby Loyde, which make them all the more valuable, as well as Gil Matthews, Warren Morgan and Paul Wheeler. Conducted in February 2007, they emphasise just how important it is to get these stories recorded. They now serve to give us the definitive last word on this wonderfully colourful time in Australian music.
The music here captures one of those rare moments in rock history. For those who can remember, we can only drool at the lineup this Aztec performance was part of. A bill at Melbourne Town Hall on June 13 1971 also featured Chain, Daddy Cool, the Wild Cherries, La De Das, Healing Force and Lotus! Knowing what a barnstorming show it would be, the Aztecs opted to record their set for an album and TV show. The result is the first half of this powerful disc. Six tracks that capture the Thorpe, Morgan, Matthews and Wheeler as they really sounded, powerful and passionate.
The opening “Somebody Left Me Crying” features Morgan playing the Melbourne Town Hall pipe organ. Morgan had created a special piece to showcase the organ, and the song that emerged has a special place in Aztec history. In the sleeve notes Thorpe claims to have made the song up on the spot as a result of being overwhelmed at the huge sound of the organ as he walked on stage. Matthews disputes this, pointing to the fact that the band knew the chords to play along. Whatever the truth, it’s testament to a sound that was rapidly emerging, and sounds even more impressive on today’s digital sound equipment.
It’s easy to forget that the Aztecs didn’t emerge as instant heroes of the youth movement. Thorpie wasn’t initially a guitarist, and the lineup seesawed as it searched for “the sound”. This concert is seven months before Sunbury, but shows how important the brief Lobby Loyde Aztec period was in allowing Thorpe to move on from his pop star image.
“Time To Live” captures the band emerging as a rock powerhouse, and “Be Bop A Lula” is the link between Thorpe’s late fifties Brisbane rock’n'roll origins and the soon to be iconic Sunbury Aztecs. “Momma” is excitement personified, and features a Gil Matthews (“I’d like to introduce our new drummer”) drum solo to remind you that it was 1971. This is a time capsule, but it stands today as a loud, joyous celebration of rock music. Really, it is the sound of a generation preparing to blow 23 years of conservative dominance away, the Aztecs as the voice of change.
If the CD only contained the Melbourne Town Hall concert it would be easily worth its price, but here the bonus tracks more than double its value. You get the complete A and B sides of the three Havoc singles the band recorded. Although never a singles band, “The Dawn Song”, “Most People I Know” and “Believe It Just Like Me” retain a special place in the hearts of early seventies radio devotees. The B sides also capture the jamming side of the band. The studio version of “Time To Live” presents an opportunity to compare the live and studio sounds of the band directly.
Rounding out the collection is another rarity, a previously unreleased version of “Long Live Rock’n'Roll” recorded live at the Rosebud outdoor festival in 1972. It features the Sunbury Aztecs lineup with Bruce Howard replacing Warren Morgan on keyboards. It’s a fitting end to this unique collection, leading neatly into the Live! At Sunbury release.
This is a fitting requiem for Thorpie — a disc that captures the sound of the band that crystallised what it meant to be young for a generation of Australians. Just one final word: make sure that if you really want to pay tribute to Billy Thorpe, put this on somewhere that you can play it very loud!
Duration : 0:15:1
![0 High school musical 3 The Boys are back [HD]](http://i.ytimg.com/vi/tSr2fJkL51A/0.jpg "High school musical 3 The Boys are back [HD]")
A song by Troy (Zac efron) and Chad (Corbin blue)
Duration : 0:3:27
Michael Jopling (Senior) and Max Fang (Sophomore) of CT Johnson High School perform “La Campanella” by Franz Liszt arranged for 5.0 and 4.3 octave marimbas.
You can find a live performance on Max’s channel:
http://youtu.be/VjNFdJPDiWA
Duration : 0:4:53
JIVA
(pronounced “Gee-Vah”)
Jiva comes from the Sanskrit root “jiv” which means “to breathe.”
Jiva is “that which breathes” and is commonly used to signify the soul.
Introduction:
Jiva was the first American act signed to Dark Horse Records. According to Geoffrey Giuliano’s George Harrison biography, Harrison signed Jiva because they were followers of the young Indian Guru Maharaji, to whom he had been introduced by his future 2nd wife Olivia.
Jiva played soulful white funk rock music. They only released one LP and one single on Dark Horse Records which both failed to chart.
History:
Jack Reed (manager): I managed the core of the Jiva crew (Lanning, Hilton & Reed) from the time they were a high school group called Tolbekin. I moved them to Los Angeles as Tolbekin, but the bass player soon left to take a full scholarship at Stanford and after that the band began a series of metamorphoses and playing lots of Los Angeles clubs before becoming Jiva. At one point it was an eight piece band with keyboards, two trumpets and a sax player and was called Titan. Of the eight players, five were named Michael, so only Michael Lanning as the lead singer got to keep his own name… all the others had to adopt nicknames. I personally nurtured them through several ’salad years’ before we met George (Harrison) and also served as a recording engineer and mixer on the road. Jiva failed to attain ’star’ status. We did, however, have a fantastic journey through the world of Rock & Roll. We got to hang out with half of The Beatles, George & Ringo, both of whom were very open of spirit and generous with their time and hospitality. Of course, it didn’t hurt that one of our close friends, Olivia, married George and that her sister, Linda, handled most of the Harrison affairs when George and Livvy (Olivia) were in England. On top of that, we got to tour with Fleetwood Mac and Donovan and we got to meet & party with all sorts of musical greats.
Michael Lanning (guitarist and vocalist): “George (Harrison) was deeply involved in not only signing us, but the making of our record as well. He served as executive producer and was there quite a lot of the recording time. He even helped in the demo sessions, picking out what tunes would be on the record and even playing piano on one of the demo tracks.”
Jiva split from Dark Horse Records in Late 1976. They returned in 1978 with an album on Polydor Records titled “Still Life” which was of about the same musical quality as their Dark Horse LP.
Jack Reed (manager): “We had lots of feedback that our whole future may have turned as much on the fact that Dark Horse was never really run as a serious label in that they never did any of the kinds of promotion (for any of their artists) that would get radio stations to stick with our releases. We got some great airplay in some key regions, but when the programming managers don’t see good follow-up from the label, they tend to drop the songs. When we were touring with Fleetwood Mac, we got fantastic audience response. On more than one occassion, I can recall John McVie telling us that he thought we had a better rapport with the audience on a given night than the Mac did. (McVie was always an incredibly gracious person and never treated us as “just the opening act” – nor did any of the rest of the Mac – we remained friends with them for years after our tour). George (Harrison) admitted that some poor choices were made in the management team of Dark Horse Records, which was proven out by the fact that he let the whole thing drop as soon as he left A&M Records.”
——————————————————————————–
DARK HORSE RECORDS
Jiva is:
Michael Scott Lanning: guitar, vocals
James Gartland Strauss: bass, vocals
Thomas Walter Hilton: guitar, vocals
Michael Randolph Reed (Reedo): drums, percussion
Duration : 0:3:30
La prestigiosa academia de baile de Estela Redondo es el lugar donde suceden todas la aventuras de Dance! La Fuerza del Corazón. Cada año los pasillos y salones de la academia se llenan con las ilusiones de cientos de chicos y chicas que esperan convertirse en bailarines de fama mundial. De los productores de High School Musical llega a Chile Dance! La Fuerza del Corazón MUY PRONTO por VIA X y VIA X HD
Duration : 0:1:14
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